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The Witterings of Myles Posts

The Thick of It

Dysfunctional government is rather in the news these days—whether it’s a U.S. president who hires and fires almost weekly; the same president who won’t concede an (apparently) unquestionable election result; a UK prime minister who even his own party accuses of dithering and incompetence; not to mention all the politicians around the world whose corruption and blatant self-interest are impossible to ignore.

There’ve been plenty of TV series that have portrayed or satirized this—think of West Wing in the States, Yes Minister in the UK, and House of Cards on both sides of the Pond.

But none of these, nor any of the many political movies, have come as close to the bone as Armando Iannucci’s The Thick of It.

Here we have a series that portrays the byzantine machinations of politics brutally and (I’m pretty sure) honestly. As Wikipedia‘s typically po-faced article says, “It highlights the struggles and conflicts between politicians, party spin doctors, advisers, civil servants and the media.”

Hard to know where to start here. Maybe with the stellar performance of Peter Capaldi as director of communications and spin-meister of his party. Or is it the ever-sharp writing, or the wonderful ensemble-playing of the cast . . .

A team of writers produced consistently edgy scripts, and when I tell you that there was a dedicated “swearing consultant” whose task was to add even more colourful language, you’ll get an idea of just how rich the dialogue is.

The series featured no incidental music, no laughter track. All shot hand-held. Plus Capaldi is on record as saying that “Fundamentally 80% of the final cut is the script that we started with.” In other words, some 20% of the dialogue is improvised, which only adds to the sense of realism.

The four series of The Thick of It ran from 2005 to 2012, and never flagged. It was hugely successful, spawning spin-offs on both sides of the Atlantic (the movie In the Loop, a U.S. remake, and the HBO series Veep).

It’s also a series that repays repeated watching, each time discovering new nuances of performance, new appreciation of the quick-fire dialogue and the scabrously inventive invective.

I love it . . .

The Thick of It was at one time on Netflix, also on BBC’s iPlayer, but I’ve also seen it on the UK’s ITVx and various other streaming services. I promise you it’s worth looking out. More about it on Wikipedia.

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A sport called . . .

 Ultimate (Wikipedia entry here) is unusual—perhaps unique—in that there are no officials. No referees, no umpires, no touch-judges, nada.

Instead the players officiate themselves, and the sport relies on their honesty and sense of fair play (‘spirit of the game’) to get things done right.

So infringements are called by the players themselves, stuff like fouls (ultimate is in theory a non-contact sport), travels (once you’ve caught a disc you can’t move with it), in- and out-of-bounds calls, picks (not allowed), and a few others.

Inevitably this ethos can be compromised by a ‘win-at-all-costs’ mentality when big prizes are at stake. So teams may opt to have neutral ‘observers’ on the sidelines, as a sort of line judge-cum-dispute resolver.

This is different in the professional game (started in 2012), where there are umpires and line judges.

It’s a very pure running sport: 7-a-side on a field usually somewhere around the size of a football field; endzones not goals; score by catching the disc in the opponents’ endzone; if a disc is intercepted, dropped or goes out-of-bounds, the other team gets possession immediately.

Because a disc thrown right-side-up floats, there’s often enough time for a defender to catch up and bat it away; similarly, there are times when you and the disc are going at the same speed but it’s out of your reach, so the only option is to get off your feet (‘lay it out’) to make the catch.

This makes for some pretty spectacular athleticism, a flavour of which you’ll see in the highlight reel below.

It’s also possible to throw a disc upside-down, when it behaves much more like a ball, with a distinct up-down trajectory. Anyone familiar with American Football will appreciate the skill needed both to make this throw (especially when it’s windy) and to judge the catch or interception (ditto).

The photo at the top of this post (© Toby Green) shows one such. It’s from way back, at a World Club Championships final, but for my money is still one of the great Ultimate photos. What’s happened is that Boston’s Mada has taken off downfield, and the passer has led him with a long upside-down throw that he takes at full sprint in-stride. New York’s John Gewirtz has been distanced slightly on defence, but has seen (or intuited) the throw coming and has laid it out to try for the interception. Alas for him (and to his evident anguish) his right-hand swipe to knock the disc away just hasn’t quite made it. Great play, stunning athleticism (right up there with the best NFL wide receiver vs. cornerback skills), even better photo . . .

The free-flowing nature of the sport means serious aerobic effort—one moment you’ll be running (and thinking) hard to get free, then suddenly there’s a turnover and you’re immediately running just as hard to cover your opponent, themselves now trying to get free to take a pass.

But once you get the disc you’re in effect the quarterback, with a quarterback’s need for clear field vision, calm decision-making and good technique to make the next successful pass.

A very complete sport then . . .

What else? Well, in my day at least, teams would party as hard they played (at some tournaments ‘winning the party’ conferred almost as much cachet as winning the tournament . . . )

Pretty much all big tournaments have an Open Division for both men and women, and these days a Co-ed or Mixed Division too. College or University teams often have their own divisions and tournaments.

And as players have got older, so new divisions have appeared for those still wanting to play but maybe no longer up to Open standards. So there’s Masters (33+ for men, 30+ for women), Grand Masters (40+ and 37+ respectively) and even Great Grand Masters (50+ and 45+).

Most games are played on outdoors on grass, but there are indoor tournaments too, and beach ultimate is also very popular.


I only discovered Ultimate in my early 20s (wish it had been earlier). Played for 15 years or so and retired aged 37 when it became clear that cutting it against the best of the next generation was getting harder.

But during that time I had the privilege of getting to know some of the great teams and great players from around the world, not least the world-dominating New York franchise of the ‘80s and ‘90s.

Damn, we had some fun . . .

But don’t for a moment think this is a game just for the boys. Women’s Ultimate is equally fiercely competitive―supreme athletes from other disciplines, discovering Ultimate, can’t wait to make the switch. Here’s a more recent video from USA Ultimate that gives a taste of the atheticism, sportsmanship and co-ed appeal of this magnificent sport:

More on Ultimate at Wikipedia, USA Ultimate, World Flying Disc Federation

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Unacknowledged

[First posted on Facebook 1 May 2020]

Feel the need for a bigger picture view?

If you have Netflix, take a look at Dr Steven Greer’s ‘Unacknowledged.’

Multiple military, corporate and intelligence insider whistleblower testimonies affirm historical and continuing extraterrestrial contact with humanity. They also tell why the secrecy surrounding these contacts has been so ruthlessly enforced.

A picture emerges of the profound existential crisis and choice now facing humanity: on the one hand, endless war, global climate and environmental catastrophe; on the other, disclosure of hitherto-hidden technologies that would instantly create a world of peace, abundance and a sustainable interstellar civilization for thousands of years yet to come.

It’s long past time to open our eyes, open our minds . . .

Unacknowledged also available on Vimeo, SiriusDisclosure, Amazon UK, amazon.com.

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Mission

Well I suppose I should start with the book that started me off.

Mid-1970s onwards I had a friend called Ed. We’d met at university, didn’t get on to begin with—like many great friendships—but one Easter break he invited me to his home (my own folks were far away in the Middle East).

It was the beginning of a closeness that was to last until his death. Plus the family were special folks too, in particular his Croatian mother Nada.

Well, one day she slapped a book on the table and said “here, read that, it might interest you . . . “

The book was Patrick Tilley’s Mission, and she wasn’t kidding—it was where my journey began. 40 years on I’m still delving . . .

The plot set-up is simple enough: smart-ass New York lawyer Leo Resnick, late for a date, meets up with his casualty-nurse girlfriend Miriam at the hospital where she works.

She’s down in the morgue, documenting a recent arrival—an unidentified 30-something-year-old male with a strangely familiar pattern of bruises, lesions and wounds.

Leo takes a look, turns away, and turns back to find the erstwhile corpse sitting up and looking at him. Looks away again, and when he looks back the body is gone . . . Only to turn up again a couple of days later at Leo’s upstate cottage.

Leo starts getting down ‘The Man’s’ story. Which takes in the simultaneity of time, humanity’s origins and destiny, the battles above, 1980s New York in the eyes of a man from nearly two thousand years previously, oh, all sorts of stuff.

In the process it makes sense of all sorts of bits of the sometimes puzzling biblical story (like John 8:59 and 10:39,  the lost years, the Resurrection, plenty others).

All sorts of complications meanwhile arise—police, security services, work dilemmas, medical conundrums etc. etc. For as well as all the revelations, it’s a cracking good plotline . . .

Well, I’ve said about all I can without spoiling it for you.

I cannot recommend Mission too highly.

Like many others, I’ve several times bought an extra copy to give to friends.

It’s that good . . .

Patrick Tilley’s Mission at Amazon UK; Amazon.com; Barnes & Noble; Waterstones; Abe Books.

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Of their hands: Katzenjammer cobblers

[ Originally posted on Facebook 8 April 2020 ]

I remember long ago coming across a comic-strip which featured two brothers who went by the name of ‘The Katzenjammer Kids.’ Can’t recall much about the substance, but do remember the swept-back crop hairstyles the two kids had.

The Katzenjammer kids

Which is of no consequence at all, except that the hair of the brothers in my next YouTube channel reminded me of them.

Trenton and Heath (the brothers) are cobblers, but about as far removed from your local repairs-while-u-wait as it’s possible to be.

For these two boys are pretty much miracle-workers when it comes to shoes, and this channel explains a little of their trade.

Many of the videos involve taking a pair of apparently ruined shoes and working them back into perfection, with each step filmed and explained.

Not the least of the interest is in how they evaluate the various makes—famous and not so—as they break them down and rebuild them. In the process, you begin to understand why expensive shoes are expensive . . .

Have to say that as a Brit I’m partial to their encomium on the quality and craftsmanship of a pair of John Lobbs.

But it doesn’t really matter where you start, there’s something to be learned for all us lazy trainer-wearers about what proper shoes are all about.

Oh, and this Brit at least can’t get enough of those Nashville accents . . .

Trenton & Heath’s YouTube channel here.

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Band of Brothers

[ First posted on Facebook 24 May 2015 ]

Some truths are almost too hard to tell.

Mankind (and I mean man-kind) being as fucked up as it (he) is, the obscenity of war shows no sign of abating.

Until modern times, war has been mostly sanitized and mythologized in film.

In reality it is—has always been—a story of horror, defilement, unendurable loss that must be endured.

Yet a story also of lasting bonds formed, perspective gained, meaning found.

HBO’s Spielberg and Hanks Band of Brothers series manages to put some of this across.

It follows a Company of American paratroopers, taking in their training, their D-Day drops and combat, their involvement in Operation Market Garden and the Battle of the Bulge, their liberation of a Konzentrationslager, their taking of Berchtesgaden and Hitler’s Eagle’s Nest, and on to end of the war in Europe.

Not least among the many moving moments are the voices to camera before each episode of some of those who served and survived.

Impossible to encapsulate the richness of the performances, the gritty faithfulness of the action, the emotion of the whole in just one clip, but here’s a taste from late in the piece—a surrendering German general addresses his troops . . .

If you haven’t already lived this magnificent modern masterpiece, do . . .

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Of their hands: Mr Chickadee

[ Originally posted on Facebook 24 August 2017 ]

Occasionally, just occasionally, in among the vapid ‘more-about-me’ online clamour, you come across a true gem.

One such is a YouTube channel called Mr Chickadee.

The premise is pretty simple: Josh and his Peruvian wife Maio have upped sticks and headed out into the Kentucky backwoods, in search of a simpler and more fulfilling life.

Josh sets to, building first a timber-frame workshop and then a two-storey timber-frame cabin.

So far, so ordinary.

Except that he uses only hand-tools. Not a power-tool or chainsaw to be seen or heard.

And therein lies the second marvel: While he goes about the muscle-rending processes of felling, hewing, shaping and joining, Maio films and then tightly edits, occasionally appearing herself where the task involves two.

There’s no talk, none of that tiresome ‘me-me-me’ chatter. Just the sounds of forest nature and the rasp and draw of razor-honed axe, saw and plane, as Josh with quiet assurance goes about his craftsman’s work.

The result is a video series that is therapeutic, entrancing, enriching.

There’s a nice irony in using contemporary media methods to reintroduce age-old skills. Skills we blasé moderns have lost. Yet skills which in the past built houses, villages, towns, even cities.

We can only marvel at the sense of respect, humility and joy that breathes throughout this couple’s shared life and work.

Mr. Chickadee’s work encompasses everything from the hand-hewing of trees into lumber to the smallest, most intricate woodwork.

The video I’ve chosen from the many on his channel is #23 from the “Our timber frame cabin” series: “traditional insulated windows”:

Mr Chickadee YouTube channel here

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It’s all out there . . .

[ Originally posted on Facebook 1 March 2019 ]

The world is not as we think it is.

We are not what we think we are.

Those that control us are not those who seem to.

There’s a reason why one-million-plus children disappear every year.

For those who open their minds and dig, the Truth really is out there.

And always has been . . .

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Above Majestic

[ Originally posted on Facebook 29 December 2018 ]

I’ve hesitated long before posting this.

Over recent months I’ve been reading and researching around many subjects—subjects that have interested me over many years (ever since somewhere in the early 1980s in fact, when Ed’s mother Nada slapped a book by Patrick Tilley entitled Mission on the table and said “here, read that—it might interest you . . . “)

Some of this reading has been within the academic mainstream, some within what many would consider the ‘pesudo-scientific’ or ‘conspiracy’ fringe.

And sure I’ve been selective: some paths have been followed, others not.

My inescapable conclusion from it all is that a) humanity has been systematically hoaxed, cozened, lied to—certainly over decades, likely over hundreds, maybe even over thousands of years; and b) we are as a result utterly unprepared for something big that’s coming—something big that’s coming maybe very soon.

Our need as a species to come together and speak as one has never been more pressing.

Those who control us continue with their controlling agendas. Meanwhile, we blithely occupy ourselves with our petty daily concerns, and our endless ‘more-about-me’ posting on social media (and yes, I’m just as guilty as any).

My own instinct is that 2019 is going to be a year of decision. And the more we can prepare ourselves, the less will be the trauma . . .

Much of this is summed up in a recent film called ‘Above Majestic.’

I think it’s worth a look.

Be warned however that I came to the film with a mindset already receptive. Coming to it cold may awaken and inspire, yes, but it may just as equally not.

But if you feel like stepping out of the quotidian for a bit, do take a look, see what you think . . .

Here’s a taste from David Wilcock’s summing-up:

“It’s time for all of us to take a stand . . . even if we don’t fully believe what those in this movie have been saying, it’s worthy of our consideration. . . . The planet is dying, we have economic collapse, we have mass starvation, we have the largest mass extinction since the collapse of the dinosaurs . . . and no-one is really doing anything about it . . . “

I got ‘Above Majestic’ through Vimeo, but I believe it’s also available via iTunes and Amazon, Microsoft, probably elsewhere also.

I should stress that I’m not selling here. I found the movie to be of value. If you don’t, well that’s fine . . .

Sift (always) everything for yourself; decide (always) everything for yourself.

That is—has always been—part of the deal for us as humans: to think for ourselves.

To find our own path.

Well anyway, all that apart, here’s to us all in 2019. And whatever happens, have no fear . . .

[ November 2020: ‘Above Majestic’ seems to be available for free here. I’ll check back every now and again to see whether the link is working . . . ]

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Jonathan Pie

[ Originally posted on Facebook 19 August 2018 ]

Interesting talking recently with a former UNHCR colleague who’d decided a while ago to return to his native Uzbekistan and who was back in Denmark on a visit.

Seems the country (one of the more repressive on Earth) is maybe considering loosening things up a bit, and the word ‘democracy’—formerly ultra-taboo—is even (whisper it) being quietly bruited.

Sure.

Well, forgive me if I’m not entirely raptured by the D word, even despite Churchill’s ringing endorsement that it’s “the worst form of government, except for all the others.”

Sorry, but just can’t help feeling that any system which lands us with both Trump and Brexit could be said to . . . have flaws.

So I suggested that maybe a better measure of a country’s health might be the freedom to think what you like and—within limits—to say (or write) what you think.

A number of organisations track this kind of thing: this map comes from ‘Reporters Without Borders.’

(click on image to expand)

Here white denotes good, yellow ok, orange iffy, red trouble, and black forget it.

Which brings me to Jonathan Pie.

If you haven’t already come across him, Jonathan Pie presents as (I’ll say no more) a news reporter who between his formal takes to camera pulls the gloves off and tells it like it is.

His rants are always angry, usually foul-mouthed, on occasion borderline slanderous, but more often than not he nails it.

More importantly, how lucky we are to live in a place where he can say the things he does and live, and we can listen to them ditto.

The Economist has a light-hearted but basically sound measure of a country’s currency valuation based on the price in that country of a McDonald’s Big Mac.

With typical tongue-in-cheek flair, they call it ‘Burgernomics.’

In the same vein, I propose a further measure of a country’s freedom of expression: could Jonathan Pie exist and be heard there?

Call it, oh I dunno, The Pie Chart . . .

Jonathan Pie YouTube channel here.

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